(11:17:08 PM) Laurabelle:oh man it’s time nickelback-esque genere (11:17:10 PM) Laurabelle:*genre (11:17:21 PM) Laurabelle:I have rekindled music (11:17:26 PM) Laurabelle:thank you grooveshark (11:17:32 PM) SJ:hahahaha (11:17:40 PM) SJ:YES NICKELBACK I HEART GENERIC ROCK (11:17:46 PM) SJ:ABOUT HARD TIMES (11:19:23 PM) Laurabelle:~LET me just siiiing this extended note to express How much I am having GIIIIIIRL problems, THIS high note starts a new phrase cleverly disguised notes which wait, wait are the same as the last but it’s oook cause ~guitar solo ~~ (11:20:32 PM) SJ:~four notes in the bass line to drive the beat into your torn heart~ (11:20:56 PM) Laurabelle:hahaha (11:21:26 PM) Laurabelle:~acoustic guitar chord to end the song on a hopeful note~
Gaga began her act prostrate onstage as if crushed by an ornate chandelier and half-staggered, half-danced around as she sang and finished up as blood poured forth from below her breasts. It was a performance, VMA creative director Lee Lodge told MTV News, that was inspired by references as diverse as “Phantom of the Opera,” Madonna, Marie Antoinette, the pope and Jesus.
“Gaga came to the table with the idea that she wanted to perform while she was injured and she wanted to perform with lots of blood,” Lodge said. “And there was always the idea of ‘Phantom.’ Then we had a creative planning meeting and she called in from Jerusalem. She’d just been to Jesus’ tomb and she was very inspired.”
The Holy Land inspiration led her to the idea of ending the performance by metaphorically dying and then being lifted up into the air as if ascending to heaven. “It was supposed to be commenting on the life of celebrity,” he explained. “Even though you see her dying, she’s going to a much better place.”
(4:17:41 PM) SJ:ahahaha this amp can be powered by size D batteries (4:17:47 PM) SJ:this just became very very silly (4:24:24 PM) Chels: it’s for little kids maybe? (4:24:57 PM) SJ:oh! a lot of people use it for busking (4:25:03 PM) SJ:which i have just lookedu p the definition (4:25:09 PM) SJ:that means those people that play in the street for money (4:26:07 PM) Chels: nice (4:26:14 PM) Chels: you could do that ! (4:26:23 PM) Chels: andi could stand next to you and punch boards for money
(1:40:41 AM) SJ:soooooo (1:40:43 AM) MACHELLLE: OOOOOOO (1:40:46 AM) SJ:i’m deciding onnnnnn (1:40:51 AM) SJ:a nice bicycle (1:40:53 AM) SJ:orrrrr (1:41:00 AM) SJ:A SOUNDCARD FOR RECORDING ON COMPUTER (1:41:04 AM) SJ:I AM LEANING ON THE SOUNDCARD (1:41:04 AM) MACHELLLE: i want to ride my bicyce i want to ride my biiiiike (1:41:06 AM) MACHELLLE: OHMYGOD (1:41:08 AM) MACHELLLE: OHMYGOD (1:41:09 AM) MACHELLLE: ME TOO (1:41:11 AM) MACHELLLE: LEAN (1:41:13 AM) SJ:that thing we need for my microphone to work awesomely (1:41:17 AM) MACHELLLE: LEAN LIKE A WILLOW IN A STRONG WIND
A guy found a tape of her performing waaaay back in the day. Pretty neat that a total stranger had a tape of it.
The tape was unearthed by Gerry McGuinness, 61, who was in the audience that night at Motherwell Football Club’s social club in Scotland.
“She was so shy, but she was also very attractive back then–she turned a few heads when she came in. She didn’t win the contest, though,” he said.
“I didn’t recognize Susan as the girl on my video when I first saw her on Britain’s Got Talent until a relative called and asked me if I still had the tape.
“It’s great she is finally getting some recognition.” yahoo music
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